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Chekhov

Understanding As You Like It (26 Feb & 4 Mar 2016) National Theatre London

Understanding As You Like It (26 Feb & 4 Mar 2016) National Theatre London

There is no greater drama than that of learning to love.  Romantic love is only one part of that drama, but in it, as in every partial love, we can see the larger drama at work.  Director Polly Findlay’s production of As You Like It was especially helpful in highlighting the acute vulnerability and journey that loving requires of us.  And this course, Understanding As You Like It, led by theatre critic and academic Kate Bassett, was particularly helpful in revealing the vulnerability and journey accepted by this NT company in offering us this depiction of love.

I will summarise the course, segment by segment, and thenconclude with my own thoughts, endeavoring to put As You Like It in the context of Socratic drama.

YOUNG CHEKHOV AT CHICHESTER: PLATONOV (1878), IVANOV (1887), AND THE SEAGULL (1896)

YOUNG CHEKHOV AT CHICHESTER: PLATONOV (1878), IVANOV (1887), AND THE SEAGULL (1896)

I saw the final day of the run: three tragedies, three bullets, three corpses; countless tortured souls, vodkas, and laughs; one great day of theatre!

I’m always reading that when it comes to writing characters that have lives of their own, defy being pigeonholed or any sort of authorial agenda, and that are ultimately unfathomable, no one comes near to Shakespeare and then Chekhov.  That’s reason enough to want to see and read Chekhov’s plays.